Africa Film WebMeeting


Message from: owner-african-cinema-conference@xc.org (african-cinema-conference@xc.org)
About: Call for Participation Race in contempory video

Wed, 15 Apr 1998 08:07:11 -0700 (PDT)

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    Originally from: <owner-african-cinema-conference@xc.org>
    Originally dated: Wed, 15 Apr 1998 08:07:11 -0700 (PDT)

    > Date: Wed, 15 Apr 1998 09:46:51 -0400
    >
    >
    > xposted from VISCOM@LISTSERV.TEMPLE.EDU
    >
    > This is an open call for participation in a panel that we are
    > organizing on representations of race in contemporary film and video.
    > Please
    > help us get the word out by forwarding this e-mail to those who might
    > be
    > interested or by suggesting their names to us so that we can directly
    > send them this information. We are seeking proposals from both
    > filmmakers as well as from scholars of contemporary film and video.
    >
    > Thank you very much,
    >
    > Barbara Abrash (Center for Media Culture & History, NYU)
    > abrash@is.nyu.edu (212)998-3759
    > Preminda Jacob (Dept. of Visual Arts, UMBC) PSJacob@cris.com
    > (410)455-3716
    >
    >
    > ----------------------------------------------------------------------
    > CALL FOR PARTICIPATION:
    > College Art Association (CAA) Annual Conference.
    > Los Angeles, February 10-13 1999.
    >
    > DEADLINE for submission of proposals: May 11 1998
    >
    > PANEL TITLE AND DESCRIPTION:
    >
    > DISSOLVES AND JUMP-CUTS: REPRESENTATIONS OF RACE IN ONTEMPORARY FILM
    > AND VIDEO
    >
    > Boundaries of race and ethnicity are intangible biologically, yet
    > these differences have been made extremely visible and volatile in
    > social
    > and political spheres, attested to by the genocide that has occurred
    > in
    > several areas of the globe particularly during the nineteenth and
    > twentieth centuries. While these compelling memories and histories
    > are pervasive in all forms of cultural expression, during the past
    > two
    > decades an increasing number of artists have chosen film and video as
    > the primary means of communicating their perspectives on these
    > issues.
    > How have these artists deployed the cinematic apparatus? Why have
    > these
    > media become their primary means of expression? Papers may consider
    > the work of individual artists or the collective project of a
    > community;
    > work produced in artistic and in commercial contexts -- Marlon Riggs
    > to
    > MTV.
    > We solicit proposals, from both filmmakers and scholars, that move
    > beyond descriptive analyses of film texts to postulate theoretical
    > perspectives on filmic representations of race and ethnicity.
    > Collaborative,
    > cross-disciplinary work is welcome. Panelists are encouraged to
    > explore innovative methods of integrating film-clips with their
    > presentations.
    >
    > SUBMIT PROPOSALS FOR PARTICIPATION TO:
    >
    > BARBARA ABRASH: Center for Media, Culture and History, New York
    > University, New York, NY - 10003; E-MAIL: abrash@is.nyu.edu AND
    > PREMINDA JACOB, Department of Visual Arts, University of Maryland
    > Baltimore County, Baltimore, MD - 21250; E-MAIL: PSJacob@cris.com
    > Phone:410-455-3716; Fax: 410-455-1053
    >
    > ----------------------------------------------------------------------
    >
    > SUBMISSION GUIDELINES & FORM:
    >
    > Every proposal should include the following 6 items:
    > 1. A preliminary abstract of 1 - 2 double-spaced, typed pages.
    > 2. Letter explaining the speaker's interest and expertise in the
    > topic.
    > 3. c.v. with home & office addresses and telephone numbers, including
    > summer address/telephone number.
    > 4. Slides, videotapes, or other documentation of work when
    > appropriate
    > (with SASE), especially for sessions in which artists might discuss
    > their
    > own work. (only ONE set of visuals need to be sent: either to
    > Barbara
    > Abrash or to Preminda Jacob.)
    > 5. A stamped, self-addressed postcard for confirmation that the
    > proposal
    > has been received.
    > 6. A completed session paricipation proposal form - [see below].
    >
    > ----------------------------------------------------------------------
    > SESSION PARTICIPATION PROPOSAL SUBMISSION FORM
    > COLLEGE ART ASSOCIATION 87TH. ANNUAL CONFERENCE
    > LOS ANGELES, FEBRUARY 10-13, 1999
    >
    > paper title:
    > co-presenter (if applicable): CAA membership#:
    > address:
    > office/studio phone: home: e-mail:
    > paper title:
    > This proposal has also been submitted to: chair(s):
    > Session title(s):
    >
    > ** CAA membership is required of all paricipants EXCEPT: foreign
    > nationals residing abroad; independent scholars/artists with no
    > affiliation; individuals whose primary professional identity is
    > outside the fields of art or architectural history. For membership
    > application call CAA office, (212) 691-1051. ext 12.
    >
    > Preminda Jacob
    > Assistant Professor, Art History
    > University of Maryland, Baltimore County (UMBC)
    > Dept. of Visual Arts
    > 1000 Hilltop Circle
    > Baltimore, MD 21250
    > Phone: (410) 455-3716
    > email: psjacob@cris.com
    > web page: http://www.gl.umbc.edu/~pjacob2/
    >
    >
    > Barbara Abrash
    > Center for Media, Culture and History
    > New York University
    > 25 Waverly Place
    > New York, N.Y. 10003
    > 212.998.3759; fax 212.995.4014
    >
    > ***********************************************************
    > JAY RUBY - Temple University - PO Box 128, Mifflintown, PA 17059
    > USA
    > fax - 717-436-9559 voice - 717-436-9502
    >



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