21W.022.03 Writing and Experience: Reading and Writing Autobiography
Spring 2017
Seaglass wall hanging. The term "seaglass" refers to
broken pieces of glass, usually on the beach, which are tossed
around in the ocean, losing their rough edges (and dangerous
quality) over time and taking on a kind of frosted
appearance.
Instructor: Andrea S Walsh
Writing and Communication Advisor: E Louise Harrison Lepera
Seminar: Tu Th 3-4:30 (56-169)
COURSE DESCRIPTION:
Our reading and writing in this course will focus on the art of
self-narrative or autobiographical writing. Such writing can be
crafted in the form of a longer autobiography or of separate,
shorter autobiographically-inspired essays. The various forms of
autobiographical narrative can both reflect on personal experience
and comment on larger issues in society.
This course explores, through our reading and writing, what it
means to construct a sense of self–-and a life narrative–-in
relation to the larger social world of family and friends,
education, media, work, and community. What does it mean to see
ourselves as embodying particular ethical values or belonging to a
certain ethnic, racial, national or religious group(s)? How do we
imagine ourselves within larger “family narrative(s)” and
friendship groups? In what ways do we view our identities as
connected to and expressed by our educational and work experiences,
especially experiences at MIT? How do we see ourselves as shaping
and shaped by the popular media culture of our society? How do we
think about our ethical and social responsibility to our friends,
families and communities (large and small)? Readings will include
autobiographically-inspired nonfiction and fiction.
Throughout the course, we will explore the craft of storytelling
and the art of persuasion, exploring different ways to employ the
tools of fiction (e.g., character, setting, dialogue) in writing
creative nonfiction narratives that draw upon autobiographical
experiences. In discussing some readings, we will examine the
ethical issues involved in defining the boundary between fiction
and nonfiction in life writing. We will also explore multiple ways
in which students can write effective and persuasive creative
nonfiction essays that draw upon life experiences and establish a
perspective or craft an argument, drawing on outside sources and
citing these sources appropriately.
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