Course»Course 21M»Spring 2013»21M.301»Homepage

21M.301  Harmony and Counterpoint I

Spring 2013

image restricted to class participants

Adolph von Menzel

Instructors: Vartan Aghababian, Justin D Casinghino, Julie Rohwein, Elena Ruehr, Travis S Alford, Mark David Buckles, Igor Iwanek, Florie Namir, Garo William Saraydarian, Pamela S Wood, Charles Shadle

Lecture:  MW9.30-11  (4-160)        

Information: 

OCW archive available

Announcements

Sight-Singing Lab

The sight-singing lab will begin at 3:15 on Friday May 10th.

Announced on 09 May 2013  10:25  p.m. by Garo William Saraydarian

Five Centuries of Choral Music

Please note that "Five Centuries of Choral Music" will be available in the COOP as of Monday February 11. Please bring it to Lab on Friday February 15.

Announced on 05 February 2013  5:01  p.m. by Charles Shadle

21M.301 Musicianship Lab

The first meeting of the Musicianship Lab for Harmony and Counterpoint I will be on Friday, February 15, 2013 from 3-4pm.
There is no placement audition for this Lab.
Student should make sure to bring "Five Centuries of Choral Music, Vol.1" (available at the COOP).

Students who are currently enrolled in Concert Choir, Chamber Choir, or are a vocalist in Chamber Music Society, are excused from the 301 Musicianship Lab.

Announced on 31 January 2013  5:38  p.m. by Charles Shadle

Signing up for Piano Lab (21M.301)

Students enrolled in Harmony and Counterpoint I will need to sign up for the Piano Lab. The roster for the Lab is located outside of the Lab, 4-070. You should select a hour-long slot that you can reasonably expect to attend throughout the semester. Please remember that there is a limit of 5 students per hour in the Lab, so signing up early can assure you of the most convenient time.
The roster will be available after 10am on Tuesday February 5, 2013.
Please print out the Lab materials found under the "Materials" section of this Stellar site, and bring them to your first Lab. Piano Labs begin on Monday February, 11.

Announced on 31 January 2013  5:09  p.m. by Charles Shadle