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\title{Kris's Psychoanalysis of Artistic Creation}
\author{Greg Hudson}
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Kris argues that both the creation of art and the public's reaction to
art involve shifts in cathexis (focus of mental energy), and that we
derive enjoyment from these shifts in focus.  This shift involves a
relaxation of the ego, allowing ``an interplay with the id''; from
this comes inspiration in the creator and catharsis in the public.
However, the ego asserts control over this regression.  If the creator
of the artwork does not assert his critical faculties, the work will
become too personal and will be meaningless to the public.  In this
way, Kris explains the creative process in terms of the Freudian
conception of the psychic apparatus.

One can apply Kris's theory to Baldwin's ``Autobiographical Notes,''
describing it as an interplay of ego and id.  Baldwin mixes simple
sentences with eloquent prose, personal revelations with universal
statements.  Simple sentences and personal confessions indicate a
relaxation of the ego; eloquent prose and universal statements
indicate an exercise of critical faculties.  The overall result is a
somewhat uneven passage that nevertheless comes across as both honest
and deep.  The essay is clear, concise, and forthright, and therefore
meaningful and easy to understand; at the same time, the essay is
personal and emotional (though restrained), allowing us to identify
with Baldwin's experiences.

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