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From: John Ruble <jruble@urocor.com>
To: minstrel@pbm.com
Subject: RE: minstrel: Bardic, Period, and assorted rantings...
Date: Mon, 5 Oct 1998 09:55:42 -0500 
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Gregory, copying the original words of Mathurin, also composed:
> > >Historically, there were many minstrels who were
> > >neither poets nor composers. 
> > 
> > But none of note.  Creativity has always been the mark of, and often
> > reserved to, the mastery of an art.
> 
> I disagree, and I challenge you to prove your point. Only the people
> that _you_ note may be composers, but there were many celebrated
> non-composing instrumentalists throughout history, considered masters
> of performance. And there were masters of composition who couldn't
> perform their way out of a paper bag.
> 
I hate to admit it, but I have to agree with Gregory.  His statement is
correct, and upon reflection I can think of some examples.  I was ready to
tear into him, too... sniff.

I will then fall back on the inarguable: in MY persona's time...  A man who
could perform poetry, songs, or stories was well respected.  A man who could
compose poetry, songs, or stories was well respected.  A man who could do
both was more respected.  But it is the composer whose name lives on with
the work, and for a Northman that is the greatest glory.

I cannot argue, though, with the fact that non-composing performers
sometimes got paid real well and could develop followings of beautiful young
women.  This is a good thing to a Northman, too...

Ulf Gunnarsson
(who is about to wipe out his e-mail system in frustration...  Why can't we
just have couriers carry these things back and forth?)

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